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SALE NUMBER 1739 
ON PUBLIC EXHIBITION FROM SATURDAY, APRIL TWENTY-FIRST 


ETCHINGS, ENGRAVINGS 
COLOR-PRINTS, LITHOGRAPHS 
AND DRAWINGS 


FROM THE COLLECTIONS OF 


THE LATE 


JOHN NADAY 


OF NEW YORK 


AND-THE LATE 


JOHN W. TILTON 


OF BRADFORD, MASS. 


WITH ADDITIONS FROM OTHER 
PRIVATE SOURCES 


TO BE SOLD BY AUCTION 
WEDNESDAY EVENING, APRIL TWENTY-FIFTH 
AT EIGHT-FIFTEEN O’CLOCK 


THE ANDERSON GALLERIES 


[MITCHELL KENNERLEY, PRESIDENT] 
PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 


1923 LE 85 15% 


& heh 
My af 


weit ae : 


eat 


PRUE 


a 


‘ 


SALE NUMBER 1739 
ON PUBLIC EXHIBITION FROM SATURDAY, APRIL TWENTY-FIRST 


ETCHINGS, ENGRAVINGS 
COLOR-PRINTS, LITHOGRAPHS 
AND DRAWINGS 


FROM THE COLLECTIONS OF 


THE LATE 


JOHN NADAY 


OF NEW YORK 


AND THE LATE 


_ JOHN W. TILTON 


OF BRADFORD, MASS. 


WITH ADDITIONS FROM OTHER 
PRIVATE SOURCES 


TO BE SOLD BY AUCTION 
WEDNESDAY EVENING, APRIL TWENTY-FIFTH 
AT EIGHT-FIFTEEN O’CLOCK 


THE ANDERSON GALLERIES 
[MITCHELL KENNERLEY, PRESIDENT] 
PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 
1923 


ADELINE 
BAG, F. 

BARIG, J. - 

BARKER, T. (ATT, TO) 
BEITEN, A. 

BEJOT, E. 

BENSON, F. W. 
BERTHON, P. 

BLAKE, W. 

BLAKE, W. (ATT. TO) 
BOND, W. 

BOUCHER, F. 
BOWYER, 

BOYLE, G. M. 
BRESDIN, R. 
BROWNE, L. 
BUCHLER 

BUHOT, F. 

BUNBURY, H. W. 
BURGESS, H. 


CHANT 
COCHIN 
CORBUTT, C. 
COUSINS, S. 
COX, D. 
CROSSMAN, M. 
DAUBIGNY, C. F. 


DAUMIER, H. 
DE BERENGER 
DEBUCOURT, P. L. 
DECHAMPS 
DESCAVES, A. 
DETAILLE, E. 
DICKSEE, H. 
DORE, G. 
DOWNMAN, J. 
DUNKARTON 


EARLOUR 
EISEN 

EVANS, J. 

FANTIN LATOUR, H. 
FIELDING, C. 
FISHER, E. 

FITTON, H. 
FITZGERALD, F. R. 
FORRESTER, A. H. 
FOWLER, H. 
GABRIELI 
GAILLARD, F. 
GAUTIER, L. 
GILPIN 

GOODALL, E. A. 
GOTTLOB, F. 
GRAVELOT 
GREENE, N. E. 
GRIMM, 8. H. 

2 


LIST OF ARTISTS 


NUMBER 
119 


74 


25 


27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39 
40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50 


54 


HAAG, C. 
HADEN, SIR F. 8. 
HANKEY, W. L. 
HARDING, G. P. 
HARLOW, G. H. 
HAYTER, SIR ©. 
HEILBUTH, R. 
HOPPNER, J. 
HOUSTON, R. 
HUNT, G. & ©. 
IBBETSON, J. ©. 
JACQUEMART, J. 
JONGKIND, J. B. 
KAULBACH, W. 
KEMPLEY, C. H. 
KNIGHT, ©. 


LABARDIE 
LALAUZE 
LAWRENCE, SIR T. (ATT. TO) 
LEGRAND, L. 

LEGROS, A. 

LEIGHTON, LORD (ATT. TO) 
LEITCH, W. L. 
LEPERE, A. 

LEVY, W. A. 

LEWIS, J. F. 

LINNEL, J. 
MACKRELL, J. R. 
MACLAUGHLAN, D. 8. 
McLAREN, W. 
MAPLESTONE, H. 
MARILLIER 

MARIS, J. 

MEYER 

MILLAIS, J. E. 
MISCELLANEOUS 


MONNET 
MOORPACK, W. 
MOREAU LE JEUNE 
MORLAND, G. (AFTER) 
MUNKACSY, M. 


NIEMAN 


PALMER, 8. 
PENNELL, J. 
PERRIN 

PETHER, W. 
‘‘PHIZ?? (ATT. TO) 
PRADIER 
PREJELAN, R. 
PRICE, E. 


RASSENFOSE, A. 
REMBRANDT VAN RIJN 
REMINGTON, F. 
RENARD, J. 

REYNOLDS, SIR J. (AFTER) 
REYNOLDS, 8. W. 
RICHARDSON, T. M. 
RIPLEY, J. T. 

RODIN, A. 

ROEBOTHAM 

ROPS, F. 

ROTH, E. D. 
ROTHENSTEIN 
ROWLANDSON, T. 


120, 121, 122, 


128, 
131, 


14, 26, 65, 69, 73, 115, 119, 137, 138, 
156, 157, 190, 214, 215, 216, 


147, 148, 149, 150, 


164, 165, 166, 167, 168, 169, 170, 


NUMBER 


103, 
106, 


110, 


118, 


123, 
125, 
129, 


132, 


141, 
217, 


145, 
151, 


178, 


162, 
171, 


84 
85, 86, 87, 88, 89, 90, 91, 92, 98, 94, 95, 96, 97 


SADELER, J. 177 
SHARP, W. 154 
‘SMITH, J. A. 182, 183 
SMITH, J. R. (ATT. TO) 184, 185, 186 
SPILLIAERT, L. 187, 188, 189 
STAAL, G. 191 
STOTHARD, T. 192 
SWANN, N. 136 
TANJE, P. 193 
THACKERAY, W. M. (ATT. TO) 67 
TURNER, C. 62 
TURNER, J. M. W. (ATT. TO) 194 
UNKNOWN 66, 67, 70, 195 
VAN HAANEN 64 
VIBERT, J. G. 197 
VISSCHER, C. 199 
WATSON, J. 200 
WESTALL, R. 201 
WHISTLER, J. A. McN. 202, 203, 204, 205, 206, 207, 208, 209, 210, 211 
WILKINSON, ©. A. 212 
WILLE, J. G. 213 
WILLETTE, A. 220, 221 
WRIGHT, J. M. (ATT. TO) 196 
ZADORISTEIN 219 


ZORN, A. 222, 293, 224, 295, 226, 227, 228, 229, 230 


. 


“SALE WEDNESDAY EVENING, APRIL TWENTY-FIFTH, AT 8:15 


o—_ 


NUMBERS 1-230 
AMERICAN CARICATURE 


PHILADELPHIA FASHIONS 1837 
Original American lithographs colored by hand, published 
by H. R. Robinson, New York. 


FERDINAND BAC 
MODERN PAINTER-ILLUSTRATOR 
PASSAGE INTERDIT 


Original colored pencil drawing retouched in water-colors. 
Signed in the upper right corner. Size, 16 x 11 inches 


J. BARIC 


CARICATURES 
Four pen and ink caricatures of military subjects on French 
blue mount. Size of each not over 8 x 6 inches 


EUGENE BEJOT 


PLACE DES VICTOIRES, PARIS 
Original etching. Rich proof. 


RUE DU FAUBOURG-MONTMARTRE, PARIS 
Original etching. Proof. 


JARDIN DES TUILERIES, PARIS 
Original aquatint etching. Signed artist’s proof. 


FRANK W. BENSON 


DEAD GOOSE 

Original drypoint. Signed artist’s proof. Beautiful early 
impression with drypoint burr, the fifteenth impression from 
the plate. 


8 


10 


11 


12 


13 


PAUL BERTHON 


(a) SYMBOLIC PORTRAIT 
Process plate, colored by hand, full margins, signed by the 
artist. 
(6b) BALZAC 
Original pencil drawing retouched in water-color, showing 
the portrait of the master in a symbolic design. : 
Size, 9 x 6% inches 

(c) FAIRY TALE 
Original water-color by André des Gachons, signed with the 
artist’s initials in the lower right corner. (3) 

Size, 1434 x 1034 inches. 


WILLIAM BLAKE 


CANTERBURY PILGRIMS 
Original engraving. Russell, No. 24. Beautiful proof on 
India paper. 


“THEN A SPIRIT PASSED BEFORE MY FACE”’ 
Original engraving. Russell, No. 33 (X). Fine proof of 
the first state of two. 


WILLIAM BLAKE 


| ATTRIBUTED | 


THE EVIL KNIGHT AND THE VISION 
Pen and ink and wash drawing. A note on the mat by A. 
Macmillan described this as an original drawing by Blake 
and as having been identified by D. G. Rossetti. 

Size, 1834 x 1114 inches. 


WILLIAM BOND 


THE SPINNING WHEEL 
Stipple after Henry Singleton. Colored by hand. Margin 
eut to plate-mark. Slight crease. 


FRANCOIS BOUCHER 


LES FACHEUX (MOLIERE) 
Line engraving by L. Cars. Brilliant impression with large 
margins. 


14 


15 


16 


17 


18 


19 


20 


BOX TOPS 


ENGRAVINGS 

Of the 1830 period used for the top of bonbons boxes or 
snuffboxes, representing Paul and Virginie, Prise du Troca- 
dero, Combat de Navarin, Les hommes en miniatures, ete. 
Line engravings colored by hand. (5) 


GEORGE M. BOYLE 


TWO VIEWS OF THE ARUN NEAR ARUNDEL 
Water-colors. Signed. (2) Size of each, 18 x 1114 inches 


RODOLPHE BRESDIN 


ALLEGORICAL INDIAN DRAWING 
Pen and ink drawing representing a sitting Indian, looking 
at a ladder on which are standing some Indian vases. This 
drawing was probably executed at the time when Bresdin, a 
great admirer of Jas. F. Cooper, was living in a hut and 
used the name of ‘‘Chingachgook’’. Signed in the lower 
centre of the drawing and dated in one of the flower orna- 
ments, ‘‘Ier Nov. 1878’’. On French blue mount. 

Size, 65£ x 53% inches 
Bresdin drawings and lithographs are very rare. 


FELIX BUHOT 


SEQUEL TO COUNTRY NEIGHBORS 
Original etching. Fine impression, one of 20 proofs. With 
the artist’s stamp in red on the margin. 


THE CAB STAND 
Original etching. Boureard, No. 123. 


ROUTE DE GREVILLE 
Original etching. Beautiful proof signed in pencil and with 
the red stamp. 


PORTRAIT OF HIS SON JEAN BUHOT 
Original lithograph. Signed artist’s proof. Very scarce, 
only 30 proofs printed and stone destroyed. 


3 


21 


22 


23 


24 


25 


26 


(a) UN GRAIN A TROUVILLE 
Original etching. Bourcard, No. 122. 


(b) PALAIS DES CHAMPS ELYSEES 
Original etching. (2) 


(a) LES GARDIENS DU LOGIS 
Original etching. Bourecard, No. 76. Proof on Japan paper. 


(6) VILLAGE CHURCH 
Original etching. (2) 


H. W. BUNBURY 


COMFORTS OF AN ALEHOUSE 

Printed in colors. Depicts Dr. Johnson and cronies enjoying 
the comforts of an alehouse. Early state before inscription. 
Mounted on stretcher. (Small tear). In old Hogarth frame, 
no glass. | 


CHARLES CORBUTT 


SPRING, SUMMER, AUTUMN, WINTER 
Mezzotints after R. Pyle. Nice impressions. Cut down and 
mounted. (4) 


M. CROSSMAN 


LA MARCHANDE DE COCO 
Brilliant water-color of one of the famous Parisian trene. 
signed in the lower left corner, on French blue mount. 

Size, 10 x 714 inches 


DANSES 


~DANSES 


Advertisements, souvenir cards, valentines of the French 
Second Empire period in line and wood engravings, chromo- 
lithograph, ete., colored by hand. (36) 


4 


27 


28 


29 


30 


31 


32 


33 


34 


9) 


CHARLES FRANCOIS DAUBIGNY 


LA COURONNE DE FLEURS DES CHAMPS (F. H. 60- 
L. D. 66) 

Original painter etching. This etching and the following 
ones are all in the most brilliant condition, printed on India 
paper and with large margins. Proof before the address of 
Delatre was erased from the plate. 


LE LEVER DU SOLEIL (F. H. 61-L. D. 67) 
Original painter etching. Proof with the ase of Beillet 
replaced by that of Delatre. 


LES CHEVAUX DE HALAGE (F. H. 62-L. D. 68) 
Original painter etching. Proof with the address of Beillet 
replaced by that of Delatre. 


LES BORDS DU COUSIN (F. H. 63-L. D. 69) 
Original painter etching. Proof with the address of Delatre,. 
but before the ‘‘3’’ in the upper right corner. 


LES PETITS OISEAUX (F. H. 65-L. D. 70) 
Original painter etching. Proof before the address of Delatre 
was erased from the plate. 


L’AUTOMNE (F. H. 66-L. D. 71) | 
Original painter etching. Proof before the address of Del-. 
atre was erased from the plate. 


L’ANE A L’ABREUVOIR (F. H. 64-L. D. 72) 
Original painter etching. Proof with the address of Beillet 
replaced by that of Delatre. 


LE SATYRE (F. H. 67-L. D. 73) 
Original painter etching. Proof with the address of Beillet 
replaced by that of Delatre. 


LE BAC. SOUVENIR DES ILES BEZONS (F. H. 68-L. 
D. 74) 

Original painter etching. Proof with the name of Beillet 
replaced by that of Delatre. 


5 


36 


oT 


38 


39 


40 


41 


42 


43 


44 


45 


46 


LES ILES VIERGES A BEZONS—LA PECHERIE (F. 
H. 69-L. D. 75) 

Original painter etching. Proof with the address of Beillet 
replaced by that of Delatre. 


LES CHARRETTES DE ROULAGE (F. H. 70-L. D. 76) 
Original painter etching. Proof with the address of Beillet 
replaced by that of Delatre. 


LES RUINES DU CHATEAU DE CREMIEUX (F. H. 71- 
L. D. 77) 
Original painter etching. Proof with Delatre’s address. 


LES CERFS AU BORD DE L’EAU (F. H. 72-L. D. 78) 
Original painter etching. Proof with the address of Beillet 
replaced by that of Delatre.: 


LE BAC DE BEZONS (F. H. 74-L. D. 81) 
Original painter etching. Proof with Beillet’s address. 


LES CERFS SOUS BOIS (F. H. 75-L. D. 82) 
Original painter etching. Proof with Beillet’s address. 


LES VACHES AU MARAIS (F. H. 76-L. D. 83) 
Original painter etching. Proof with Beillet’s address. 


LE MARAIS AUX CIGOGNES (F. H. 77-L. D. 84) 
Original painter etching. Proof with the words ‘‘ Gazette 
des Beaux Arts’’ erased from the plate. 


L’ONDEE (F. H. 78-L. D. 85) 
Original painter etching. Proof with the name of Quantin 
erased from the plate. 


LA PLACE DE VILLERVILLE (F. H. 80-L. D. 88) 
Original painter etching. Proof with the words ‘‘Gazette des 
Beaux Arts’’ erased from the plate. 


LE GUET DU CHIEN (F. H. 82-L. D. 90) 
Original painter etching. Proof with the word ‘‘L’Artiste’’ 
erased from the plate. 


47 


48 


49 


50 


LE GRAND PARC A MOUTON (F. H. 86-L. D. 95) 
Original painter etching. Proof between the 3d and the 4th 
state. 


LE COCHON DANS UN VERGER (F. H. 87-L. D. 96) 
Original painter etching. Proof before Beillet’s address. 


LA POULE ET SES POUSSINS (F. H. 88-L. D. 97) 
Original painter etching. Proof with Beillet’s address re- 
placed by that of Delatre. 


LE VOYAGE EN BATEAU (F. H. 90 to 105-L. D. 99 to 
115) 
Original painter etchings. 


TITRE FRONTISPICE de l’album du voyage en bateau 
99—3rd state. 


DEJEUNER du Départ 4 Asniéres 100—3rd state. 
L’EMMENAGEMENT du Botin 101—3rd state. 
L’HERITAGE de la voiture 102—3rd state. 
LE MOUSSE tirant le cordeau 103—3rd state. 
AVALLANT 104—3rd state. 
LE MOT de Cambronne 105—8rd state. 
LA RECHERCHE d’une auberge 106—7th state. 
INTERIEUR d’une auberge 107—8rd state. 
VOYAGE de nuit 109—3rd state. 
LE MOUSSE 4 la péche 110—3rd state. 
LE BATEAU Atelier 111—2d state. 
LES BATEAUX 4 vapeur 112—3rd state. 
COUCHER a bord du Botin 1138—8rd state. 


REJOUISSANCHES des poissons du départ du mousse 
114—3rd state. 


LE DEPART 115—3rd state. 


With four pages of text by Henriet. (16) 
7 


ol 


o2 


03 


o4 


5D 


56 


A. DESCAVES 


(a) GIRL CRYING 
(b) GIRL IN A ““DEBARDEUR”’ COSTUME 


Two very clever drawings in Gavarni’s manner executed in 
lithographic pencil. The first one signed in the lower right 
corner, the second signed with the initials in the lower left 
corner. On French blue mount. (2) 

Size of each, 714 x 5 inches 


SCENE AT THE TIME OF CARNIVAL 

Brilliant drawing in Gavarni’s manner treated in litho- 

graphic pencil, a medium very seldom used by artists. Signed 

in the lower left corner with the initial of the artist. On 

French blue mount. On the back of the mount ‘‘Dessin au 

erayon lithographique par Descaves, donné par 1’auteur’’. 
Size, 7144 x 534 inches 


EDOUARD DETAILLE 


Original etchings by Detaille, Lalauze, Chapelin, Brunet Des- 
baines, Chauvel, ete. after Meissonier, Leloir, Corot, Alma 
Tadema, ete. Mostly proof on Japan or Holland paper. (51) 


HONORE DAUMIER 


SIX SHEETS OF OIL SKETCHES 
Caricatures, character studies, ete. Done in oil. Six sheets 
on two mounts. 


DE BERENGER 


MIDSHIPMAN’S BERTH; SCENE ON THE MAIN DECK 
Aquatints in color. A scarce pair. (2) 


P. L. DEBUCOURT 


LES PLAISIRS PATERNELS 
Aquatint in colors after the engraver’s own design. Trimmed 
to the engraved surface, inscription partly cut away. 


8 


o7 


58 


59 


60 


61 


62 


63 


DECHAMPS 


RIVER LANDSCAPE 
Original etching. Signed artist’s proof. Black frame. 


HERBERT DICKSEE 


LION DRINKING . 
Painter etching. Signed artist’s proof on Japan paper. Gilt 
frame. 


J. DOWNMAN 


LORD BARHAM 
Pen and ink portrait. Bust length, turned slightly to right. 
Signed with initials. 


GUSTAVE DORE 


THE BULL FIGHT 
Five colored lithograph plates. (5) 


ENGLISH MEZZOTINTS 


(a) CAROLINE 
By H. Fowler after Reynolds. Fine impression. 


(6) SIMPLICITY 
By S. W. Reynolds after Joshua Reynolds. 
And two others. (4) 


PORTRAITS 

A series of 60 portraits of English nobles, statesmen, and 
divines, engraved by C. Turner, Earlom and Dunkarton. 
Published by Woodburn, 1811-15. (60) 


ENGLISH SCHOOL 


WATER-COLORS 
Old Farm Buildings, signed Isabey; Tintern Abbey by J. T. 
Ripley; Landscape with Ruins by A. Beiten. Various sizes. 


(3) 


64 


65 


66 


67 


68 


69 


70 


71 


LANDSCAPES — 
View on the Devonshire, water-color by C. H. Kemplay; Farm- 
house, sepia by Van Haanen; Landscape, sepia, unknown. 
Various sizes. (3) 


LANDSCAPES 
Water-color Landscape in India, by Bakar; The Returning 
Flock, sepia wash. (2) 


PENCIL, INK, AND WATHR-COLOR 

Country Fair, pencil by H. Maplestone; Courtship in the 
Olden Time, pen-and-ink by J. E. Millais, signed; Coaching 
Scene, water-color, unknown. 


PENCIL AND INK SKETCHES 
Two sheets of Cattle Studies by E. Price; Two pencil draw- | 
ings of Cows by Gilpin; Barnyard Scene, unknown. Vari- 
ous sizes. (5) 


WATER-COLORS 

Stepping Stones, by E. A. Goodall; Woman Writing, attrib- 
uted to W. M. Thackeray ; Landscape signed David Cox. Vari- 
ous sizes. (3) 


LANDSCAPES 
Water-color and ink. One attributed to Copley Fielding, an- 
other to Thomas Barker. Various sizes. (5) 


ENGRAVER UNKNOWN 


CHARLES LEE, ESQR. 

Mezzotint portrait, three-quarter length. After Thomlinson. 
Brilliant impression, second state. Margins trimmed almost 
to plate mark. Inlaid. 


J. EVANS 


PORTRAIT OF A MAN 
Crayon and water-color. Signed and dated, Eton, 1796. 
Size, 914 x 13 inches 


10 


72 


73 


74 


79 


76 


717 


78 


H. FANTIN LATOUR 


VISION (H. 122-MME F. L. 1609) 

Original lithograph printed on India paper mounted. Bril- 
liant impression before the lettering was erased from the 
stone. 


FEMINISM 


(a) THE AGE OF IRON 
Man as he expects to be. 


(6b) THE AGE OF BRASS 
Or the triumphs of Woman’s rights. 


Original lithographs published by Currier and Ives in 1869. 


Rare; original impressions. (2) 


FIGURE STUDIES 


RETURNING SPORTSMAN; STUDY OF A MAN 
Unfinished water-color by Buchler; and red and black chalk 
drawing by Rothenstein. (2) 


EEISHER 


THE HONOURABLE AUGUSTUS KEPPEL 
Mezzotint portrait, three-quarter-length. After Sir Joshua 
Reynolds. Cut down and inlaid. 


HEDLEY FITLTON 


LONDON BRIDGE 
Painter etching. Signed proof. Fine rich impression. Gilt 
frame. 


F. R. FITZGERALD 


NORUNGFIORD, NORWAY 
Water-color. Signed. Size, 1934 x 13 inches 


A. H. FORRESTER 


‘ALFRED CROWQUILL’”’ 


HASTINGS 
Pen and ink drawing. Size, 6 x 414 inches 


a1 


79 


80 


81 


82 


83 


84 


85 


86 


FERDINAND GAILLARD, ETC. 


Original etchings by Gaillard, Boissieu, Jacquemart, Chauvel, 
ete., after Meissonier, J. P. Laurens, Chapelin, Millet, ete. 
Mostly proof before letter on Japan, vellum or Holland 
paper. (50d) 


LUCIEN GAUTIER 


SHEEP IN THE FOLD 
Etching after the painting by Charles Jacque. Remarque 
proof signed by both artists. Guilt frame. 


F. GOTTLOB 
MODERN PAINTER ILLUSTRATOR 
LES BONS AMIS 


Very fine original water-color signed in the upper right corner. 
Size, 1514 x 1134 inches 


N. E. GREENE 
NEUCHATEL 
Water-color. Signed lower left. Size; 2114 x 13 inches 
SAMUEL H. GRIMM 
FURNESS ABBEY 


Water-color and ink drawing. Size, 1714 x 111% inches 


CARL HAAG 


THE ENTRANCE TO ANCIENT SAMARIA | 
Water-color. Signed and dated 1870. Gilt frame. 
Size, 24 x 12 inches 


SIR FRANCIS SEYMOUR HADEN 


KENSINGTON GARDENS (The Smaller Plate) 
Original etching. Third state. Signed proof on thin paper. 
Rich impression. Harrington, No. 12. Gilt frame. 


EGHAM LOCK 
Original etching. Signed artist’s proof. Early impression 
of the second state. Harrington, No. 16. 


12 


87 


88 


89 


90 


91 


92 


93 


94 


95 


96 


97 


FULHAM 
Original etching. Signed proof, second state. Rich impres- 
sion. Harrington, No. 19. Guilt frame. 


ON THE TEST 

Original etching. Signed proof of the first and published 
state. Harrington, No. 20. Gilt frame. 

A brilliant impression of this beautiful drypoint. 


BATTERSEA REACH 
Original etching. Harrington, No. 52. Beautiful impression 
of the first state. 


NEWCASTLE IN EMLYN 
Original etching. Signed proof. First state, fine impression. 
Harrington, No. 62. 


THAMES DITTON—WITH SAIL 
Original etching. Second state (without inscription). Har- 
rington, No. 73. 


KEW RAILWAY ENCROACHMENT 
Original etching. First state. Harrington, No. 74. 


HORSLEY’S ROOF 
Original etching. Signed proof. First and Ses state. 
Harrington, No. 100. 


CHALLOW FARM 

Original etching. Signed proof of the first state on old paper. 
A beautiful impression. Harrington No. 175. Gilt frame. 
Inscribed on the margin by the printer: ‘‘ This is curious old 
paper. Gives good proofs. F. Goulding.’’ 


WAREHAM BRIDGE 
Original etching. Signed proof, first state. Harrington, No. 
176. Gilt frame. 


GRIM SPAIN 
Original etching. Harrington, No. 186. Brilliant impression. 


A SALMON RIVER 
Original mezzotint. First state. Signed proof. Harrington, 
No. 226. 


13 


98 


99 


100 


101 


102 


103 


104 


W. LEE HANKEY 


THE CAVE 
Original etching. Signed artist’s proof, limited to 25 copies. 
Framed. 


G. P. HARDING 


MRS. W. SAVAGE LANDOR WHEN A GIRL 
Water-color. The face executed in beautiful miniature style. 
Framed. Size, 634 x 834 inches 


GEORGE H. HARLOW 


THE SISTERS 
Water-color wash drawing. Unsigned. Size, 10 x 12 inches 


SIR CHARLES HAYTER 


PORTRAIT OF A LADY OF THE VICTORIAN PERIOD 
Water-color. Three-quarter length, turned slightly to the 
right. Oval. | Height, 7 inches 


R. HEILBUTH 


CAVALRY CHARGE | 
Water-color drawing of a spirited charge of mounted troops 
of the Cromwellian period. Signed. Size, 14 x 10 inches 


JOHN HOPPNER 


[ ATTRIBUTED | 


PORTRAIT OF A LADY 
Pencil drawing. Subject seen full length, reading a book 
and holding a closed parasol. Trees and foliage in the back- 
ground. From the Fairfax-Murray Collection. 

Size, 5144 x 81% inches 


A FAMILY GROUP 
Unfinished water-color. Size, 17 x 1214 inches 


14 


105 


106 


107 


108 


109 


110 


111 


RICHARD HOUSTON 


GEORGE III; and CHARLOTTE 
Mezzotint portraits after J. Meyer. Partly tinted by hand. 
A pair in gilt frame. (2) 


G. & C. HUNT 


THE SPORTSMAN PREPARING; THE SPORTSMAN’S 
VISIT 
Aquatints, colored after E. F. Lambert. Margins foxed. (2) 


J. C. IBBETSON 


[ ATTRIBUTED | 


PORTRAIT OF A YOUNG WOMAN 
Crayon drawing. Bust length in profile to right with sun- 
shade hat. Size, 111% x 161% inches 


JULES JACQUEMART 


Original etchings by Jacquemart, Jeanniot, Gravesand, Chap- 
elin, Falguiére, ete., after Detaille, Millet, Courbet, Watteau, 
Chardin, ete. Mostly proof before letter on Japan, vellum or 
Holland paper. (55) 


J. B. JONGKIND 


SOLEIL COUCHANT, PORT D’ANVERS 
Original etching. Rich proof printed in brownish ink. From 
the F. Goulding collection. 


W. KAULBACH 


WILHELM AND BISMARCK 

Very fine caricature in pen and ink showing the King and 
Bismarck dancing together after the battle of Sadowa. On 
French blue mount. Size, 65g x 534 inches 


(a2) DER OBER-LIEUTENANT 

(6b) KAISER FRANZ-JOSEPH OF AUSTRIA 

Two clever pen and ink caricatures. On French blue mount. 
(2) Size, 7 x 4144 and 514 x 4% inches 


15 


112 


113 


114 


115 


116 


117 


C. KNIGHT 


LOVE IN A MILL; THE RETURN FROM MARKET 
Stipples after Wheatley. Colored by hand. Margins trimmed 
to engraved border. (2) 


LABADIE 


[CALLED PILOTELL | 


NINE ETCHINGS 

Printed on India paper representing caricatures of the of- 
ficers of the sanitary corps, from his set of ‘‘ Avant, pendant 
et aprés la Commune’’, mounted on bristol boards. (9) 


SIR THOMAS LAWRENCE 


[ATTRIBUTED TO] 


LADY MELBOURNE 
Pencil drawing, touched with color. After Sir Joshua Rey- 
nolds. Gilt frame. Size, 834 x 11 inches 


SIR THOMAS LAWRENCE 


| AFTER | 


CHILDREN’S HEADS 
Charming pencil drawing from one of Lawrence’s most fa- 
mous pictures. Size, 1114 x 9 inches 


LOUIS LEGRAND 


1864. MODERN FRENCH PAINTER ETCHER 


FIN (E. R. 35.) 
Original painter etching and aquatint. Printed on hand- 
made paper and signed by the artist in the lower margin. 


SIR FREDERIC (LORD) LEIGHTON 


[| ATTRIBUTED | 


AN INDIAN PRINCE 
Sepia wash drawing. Size, 9 x 13 inches 


16 


118 


119 


120 


» 121 


122 


123 


124 


125 


126 


127 


ALPHONSE LEGROS 


MONKS CHANTING 
Original etching. Signed proof. Gilt frame. 


ORIGINAL ETCHINGS 

By Legros, Feyen Perrin, Adeline, Lalauze, ete., after Frag- 
onard, Barye, Watteau, Regnault, Roybet, ete. Mostly proof 
before letter, on Japan or Holland paper. (53) 


AUGUSTE LEPERE 


LA ROUTE DE BILLANCOURT 
Original etching. Signed artist’s proof. Scarce, only 30 
proofs printed. 


LA PETITE MARE 
Original etching. Fine impression. Framed. 


A PROVINS 
Original etching. Beautiful proof on Japan paper. 


QUARTIER DES GOBELINS 
Original etching. Beautiful proof on Japan paper. 


FIN DE JOURNEE 
Original chiaroscuro woodcut in 2 colors. Framed. Scarce. 


WILLIAM AUERBACH LEVY 


THE VIOLONCELLIST 
Original soft-ground etching. Signed artist’s proof. Framed. 


POLISH YOUTH 
Original soft-ground etching. Signed artist’s proof. 


J. F. LEWIS 


LIONS AND TIGERS 
A series of six mezzotints from the engraver’s own designs. (6) 


17 


128 


129 


130 


131 


132 


133 


134 


135 


136 


JOHN LINNEL 


MISS ISABEL COCHRAN 
Water-color. Bust portrait to right. Signed. 
Oval. Height, 9 inches 


PORTRAITS 

Water-color portraits of John Cochran, Mary Imray, Eliza 

Imray, and Mary Imray Jun. All signed and dated 1817. (4) 
Size of each, 814 x 11 inches 


PORTRAIT OF A GENTLEMAN 
Water-color. Signed and dated 1821. Size, 10 x 12 inches 


DONALD SHAW MACLAUGHLAN 


VENETIAN NOONTIDE 
Original etching. Signed artist’s proof. Nice impression. 
Gilt frame. 


ROAD SONG NO. I 
Original etching. Signed artist’s proof. Fine impression in 
brown ink. Guilt frame. 


TUSCAN LANDSCAPE 
Original etching. Signed artist’s proof. Very scarce early 


trial proof, only 2 impressions printed. 


WALTER McLAREN 


MOTHER AND CHILD 
Red chalk drawing. Signed. Size, 914 x 914 inches 


JACOB MARIS 


DUTCH SKATING SCENE 
Water-color. Signed. Size, 1114 x 71% inches 


MISCELLANEOUS 


LANDSCAPES AND VIEW 

African Landscape, in oil, by N. Swann; A French River 
Town, water-color by Nieman; Alnwick Castle, sepia by T. M. 
Richardson. Various sizes. (3) 


18 


137 


138 — 


139 


140 


141 


142 


143 


MORNING, NOON, EVENING, NIGHT 
Engraved by Gabrieli after Hamilton. And two others. (6) 


THE VESPER BELL 
Fine pen-and-ink drawing after Haig’s famous etching; Land- 
scape, large finished pencil drawing by H. W. Burgess. (2) 


W. MOORPACK 


MODERN ENGLISH LITHOGRAPHER 


MARECHAL FOCH 
Original lithograph, printed on hand-made paper and signed 
by the artist. Only 100 copies printed. 


MOREAU LE JEUNE 


CELEBRATED FRENCH PAINTER-ENGRAVER 


CEREMONY OF THE TE DEUM BY THE ALLIED 
ARMIES ON THE SQUARE OF LOUIS XV, AT PARIS 
THE 10TH APRIL 1814 

Aquatint by Bowyer after a drawing of Moreau. Brilliant 
impression carefnlly colored by hand, with large margin 
trimmed to the plate mark. 


XVITIth CENTURY FRENCH VIGNETTES 

Engraved by or after Moreau le Jeune, Monnet, Marillier, 
Cochin, Gravelot, Eisen, ete. Line engravings, some proof 
in pure etching and some proof before letter. (10) 


GEORGE MORLAND 


[IN THE MANNER OF | 


GYPSIES RESTING 
Water-color and ink drawing. Size, 15 x 18 inches 


M. MUNKACSY 


CELEBRATED HUNGARIAN PAINTER 


WOMAN READING 
Very fine pencil drawing signed in the upper left corner, ‘‘M. 
Munkaesy-1872.’’ Size, 12144 x 91% inches 


19 


144 


145 


146 


147 
148 
149 
150 


151 


152 


153 


NAPOLEON 


Portraits of Napoleon, the Roi de Rome and others, mostly 
from Gavard, ‘‘Galerie de Versailles’’; also a view of New 
York. (14) 


SAMUEL PALMER 


FIVE ETCHINGS 

The Skylark; Sunset; The Early Ploughman; The Herdsman; 
The Morning of Life. Original etchings. All fine early im- 
pressions. (5) 


THREE ETCHINGS 
The Skylark; and The Early Ploughman. Two impressions 
of the latter. (3) 


JOSEPH PENNELL 


ST. MARY LE STRAND 
Original etching. Signed artist’s proof. Printed in brown 
on Japan paper. 


ST. MARTIN’S BRIDGE, TOLEDO, SPAIN 
Original etching. Fine impression on laid paper. 


PONTE VECCHIO, FLORENCE 
Original etching. Fine impression on Holland paper. 


NIAGARA FALLS 
Original etching. Signed artist’s proof. Fine impression. 


ART AND SCIENCE MUSEUM, CHICAGO 
Original etching. Signed artist’s proof. 


FLAGS FLYING, WASHINGTON 
Original etching. Signed artist’s proof. Fine impression. 


WILLIAM PETHER 


AN ALCHYMIST 

Mezzotint after the painting of J. Wright. Brilliant impres- 
sion with the inscription and large margins at top and sides, 
trimmed to plate mark at the bottom. 


20 


154 


155 


156 


157 


158 


159 


PORTRAITS 


(a) GEORGIANA, DUCHESS OF DEVONSHIRE 
Stipple by Meyer after Gainsborough. 


(b) JOHN HUNTER 
Line by W. Sharp after Reynolds. Both framed. (2) 


(a) ELIZABETH, DUCHESS OF DEVONSHIRE 
Mezzotint by Chant after Reynolds. 


(6) MISS MACDONALD 
Mezzotint by Samuel Cousins after Lawrence. Both in gilt 
frames. (2) 


(a) NAPOLEON PREMIER 
Engraved by Pradier. 


(b) MARIE-ELISABETH DE BOURBON 
Aquatint portrait. (2) 


(a) LADIES OF THE ELIZABETHAN PERIOD 
A pair. Oil paintings on academy board. 
Size of each, 7 x 9 inches 


(b) GENERAL BOLIVAR 
Oil painting on academy board. (3) Size, 734 x 934 inches 


R. PREJELAN 
MODERN PAINTER ILLUSTRATOR 
LES BONNES AMIES 


Original pen and ink drawing signed in the lower part. 
Size, 1214 x 9 inches 


A. RASSENFOSE 
MODERN BELGIAN ETCHER 
COQUETTERIE 


Original etching, on Japan paper. Signed by the artist and 
with his remarque, ‘‘Ier Etat. Unique’’. 


24 


160 


161 


162 


163 


164 


165 


166 


167 


JULES RENARD 


[CALLED DRANER | 


SKETCHES 

Six pencil sketches on one sheet retouched with China white; 

10: A walk in the Bois; 20: Citoyen candidat; 30: Mobile 

immobile; 40: Baigneur surpris; 50: Cupidon; 60: Trav- 

ailleurs sans travail travaillant. On French blue mount. 
Size, 11144 x 168% inches 


SIR JOSHUA REYNOLDS 


[ AFTER | 


THE CAPTIVE BIRD; MUSCIPULA 
Water-colors after the famous pictures by Reynolds. (2) 
Size of each, 814 x 634 inches 


AUGUSTE RODIN 


LE PRINTEMPS 
Original drypoint. Delteil, No. 4. Fine impression of the 
only state. Framed. 


AMES DU PURGATOIRE 
Original drypoint. Delteil, No. 11. Second state with the 
signature, ‘‘Rodin’’. Framed. 


FELICIEN ROPS 


L’AFFUTEUR (0. M. 593-R. 57-D. 13) 
Original painter etching, on hand-made paper before the 
signature of Rops appears on the plate. Delteil, No. 13. 


LE BONHEUR DANS LE CRIME (0. M. 856-R. 507-D. 72) 
Soft-ground etching printed on Japan paper. 


MORS SYPHILITICA (O. M. 568-R. 167-D. 148) 
Original etching on thin Japan paper. 


LA MORT AU BAL MASQUE (0. M. 983) 
Heliogravure by A. Bertrand, printed in colors on Japan 
paper. No. 22 of 100 copies printed. 


22 


168 


169 


170 


171 


172 


173 


174 


175 


176 


L’OLIVERADE-AMONACO (0. M. 592-R. 55-D. 459) 
Original painter etching, printed on hand-made paper, before 
the name of Cadart was erased from the plate. 


LES SATANIQUES—SATAN SEMANT L’IVRAIE (0. M. 
657-R. 223-D. 577) 

Original etching with heliographic background. On Japan 
paper. 


WILLIAM LESLY (0. M. 527-R. 72-D. 701) 
Original etching, printed on fine old Japan paper. 


LE GANDIN IVRE, OU UN CAFE AU RIDYCK (OQ. M. 
1025) 

Original engraving by A. Bertrand after the design of F. 
Rops. Printed in colors and limited to 150 copies. 


LA GARDE CIVIQUE (0. M. 177-R. LITH. 126-D. 1100) 
One of the most amusing original lithographs of the great 
Belgian artist, printed on mounted India paper. 


ERNEST D. ROTH 


PONT NEUF, PARIS 
Original etching. Signed artist’s proof. Beautiful impression 
on Japan paper. 


THOMAS ROWLANDSON 


A LITTLE GIRL 
Water-color and ink drawing. Size, 4 x 8 inches 


ROEBOTHAM 


TWO LANDSCAPES 
Water-colors. (2) Sizes, 814 x 1314 and 614 x 91% inches 


REMBRANDT VAN RIJN 


REMBRANDT AND SASKIA 

Original etching. B.19. From the Lord Lansdowne Collec- 
tion, with his stamp in upper corner. Framed. 

Formerly in the Lord Northington and famous ‘‘Bruhl’’ col- 
lections. 


23 


177 


178 


179 


180 


181 


182 


J. SADELER 


GENESIS, Ch. 6: God finds the earth corrupt, and says to 
Noah: ‘‘I will destroy the Earth.’’ 

Original engraving. Nagler, 19. Brilliant impression with 
large margin. 


FREDERIC REMINGTON 


IN TOW—FAST TO A WHALE 

Monotone in oil on canvas. Signed in full. A spirited illus- 
tration of an incident in whale-fishing. The whaleboat is. 
seen being towed at terrific speed after the whale has been 
harpooned. Framed. Size, 1714 by 11 inches 


AN INCIDENT IN FRONTIER SURVEYING 
Monotone in oil. An Indian seen peering through the sur- 
veyor’s instrument. Framed. Size, 18 by 1014 inches: 


SPORTING PRINTS 


ST. ALBANS GRAND STEEPLECHASE. MARCH 8th, 
1832 

A set of six colored aquatint plates. Engraved by G. and C. 
Hunt, after the paintings by J. Pollard. Original impressions. 
and colorings. Spotted and three repaired. In old mahogany 
frames. 

This rare set comprises the following titles: Plate 1, ‘‘Pre- 
paring to Start’’; Plate 2, ‘‘ First Leap’’; Plate 3, ‘‘Turning 
an Angle’’; Plate 4, ‘‘Struggle at the Bank’’; Plate 5, 
‘‘Within View’’; Plate 6, ‘‘The Winning Post’’; and the 
Key plate naming the horses, riders, and colors. (7) 


THE MEET 

Colored engraving by J. R. Mackrell after F. C. Turner. 
Published 1839 by Ackerman. Gilt frame, showing margins. 
and inscription. 


J. AUDRE SMITH 


COURT OF THE KING’S ARMS, OXFORD 
Original etching. Signed artist’s proof. Rich impression. 
Gilt frame. 


24 


183 


184 


185 


186 


187 


188 


189 


190 


THE MILL, ABBEVILLE 
Original etching. Signed artist’s proof. Gilt frame. 


J. R. SMITH 


[ATTRIBUTED TO] 


THE STORM 

In colors. London, W. Humphrey. With inscription from 
Thomson’s ‘‘Seasons.’’ Fine impression with small margin. 
In old Hogarth frame, no glass. 


THE CROSSING SWEEPER 

In colors. London, R. Sayer & J. Bennett, 1781. With in- 
scription. Fine impression with small margin. In old Ho- 
garth frame, no glass. 


LOVE IN A BOAT 
In colors. London, R. Sayer & J. Bennett, 1783. Fine im- 
pression with small margin. In old Hogarth frame, no glass. 


LEON SPILLIAERT 


[YOUNG BELGIAN ARTIST BORN IN OSTEND IN 1889. 
KILLED IN 1914 AT THE DEFENCE OF LIEGE | 


CREATURES OPPRESSEES 
Original pen and ink drawing finished with brush shading. 
Size, 1314 x 1034 inches 


LA SOUFFRANCE | 
Original water-color. Signed at the bottom ‘‘L. Sp.’’ 
Size, 1134 x 714 inches 


MISERY 
Original water-color, cut and mounted on white background. 
Signed on the lower margin. Size, 11 x 814 inches 


SPORTING PRINT 


OTTER HUNTING 
In colors. Brilliant impression. Rare proof before all letters. 
Circa 1820. Mounted. 


25 


191 


192 


193 


194 


195 


196 


GUSTAVE STAAL 


BERANGER 

One page of pencil sketches used afterwards in the illustra- 
tions of ‘‘The Chansons de Beranger’’. The head of the poet 
appears in the lower part of the page. On French blue 
mount. Size, 11144 x 834 inches 


THOMAS STOTHARD 


SHEPHERD PIPING TO MAIDENS 
Pen and wash drawing. Although unsigned a characteristic 
specimen. Oval. Size, 1014 x 71% inches 


PETER TANJE 

DUTCH ENGRAVER 
CHAMBRE D’ACCOUCHEE HOLLANDAISE (A. 10) 
Etching finished with the graver after a painting by C. Troost. 


Brilliant impression with the inscription trimmed to the plate 
mark. 


J. M. W. TURNER 
[ATTRIBUTED TO | 
SHIPYARD 


Original pencil drawing attributed to J. M. W. Turner. 
Size, 1114 x 8 inches 


UNKNOWN 


WOODED LANDSCAPES 
Three charcoal studies of trees and foliage. (3) 
Size of each, 914 x 71% inches 


UNSIGNED DRAWINGS 


OBERON AND TITANIA 

Sepia wash drawing attributed to J. M. Wright; Lady in 
Garden with Two Children, pencil and ink drawing, attributed 
to **Phiz’?) (2) 


26 


197 


198 


199 


200 


201 


202 


203 


J. G. VIBERT 


UNE CAUSE CELEBRE 
Etching by Vibert after his own painting. Signed proof, 
with inscription by the artist. Framed. 


VIEWS 


WATER-COLOR LANDSCAPES 
Campagna de Roma, by W. L. Leitch; St. Moritz, by Lennox 
Browne, signed, dated and inscribed ; Mexico, signed J. H. (3) 


CORNELIS VISSCHER 
THE PANCAKE WOMAN 
Proof before all letters. Guilt frame. 


JAMES WATSON 


SIR JEFFREY AMHERST 

Mezzotint portrait, three-quarter length in armor, after Sir 
Joshua Reynolds. Proof before all letters, with full margin. 
Margin foxed. | 

Very rare. 


RICHARD WESTALL 


[ATTRIBUTED TO | 


(a) SCENE FROM MACBETH 


Water-color, unsigned. Size, 7 x 1014 inches 
(ob) AN ITALIAN LEGEND 
Sketch in oils, unknown. (2) Size, 1014 x 14 inches 


JAMES A. McNEILL WHISTLER 


THE WINEGLASS 
Original etching. Second state, on Japan paper. The only 
still life ever done by Whistler. 


BLACK LION WHARF 
Original etching. Third state. Brilliant impression. Mans- 
field, No. 41. Gilt frame. 


27 


204 


205 


206 


208 


209 


210 


211 


212 


213 


214 


BILLINGSGATE 
Original etching. Sixth state, proof on Japanese paper. Mans- 
field, No. 46. Gilt frame. 


VAUXHALL BRIDGE 
Original etching. Second state. Brilliant impression on old 
paper. Mansfield, No. 70. 


SKETCHING 
Original etching. Kennedy, No. 86. Framed. 


CHELSEA BRIDGE AND CHURCH 
Original etching. Fifth state. 


LA ROBE ROUGE 
Original lithograph. Kennedy, No. 68. Fine impression. 


SAVOY PIGEONS 
Original lithograph. Kennedy, No. 118. Fine impression. 


LITTLE EVELYN 
Original lithograph. Kennedy, No. 110. Fine impression. 
Framed. 


COUNT ROBERT DE MONTESQUIEU 
Original lithograph. Kennedy, No. 139. Rare proof on 
China paper. 


C. A. WILKINSON 


MODERN ENGLISH WOOD ENGRAVER 


THE REVENGE (Flag Ship of Admiral Grenville) 
Original wood engraving colored by hand, printed to 100 
copies signed and numbered by the artist. 


J. G. WILLE 


ELIZABETH DE GOUY; MARQUIS DE MARIGNY 
Line engravings after Tocque and Rigaud. Gilt frames. (2) 


INSTRUCTION PATERNELLE 
After Terburg; Sarah Giving Hagar to Abraham. Proof 
before all letters. Both framed. (2) 


28 


215 


216 


217 


218 


219 


220 


221 


MUSICIENS AMBULANS 
After Dietricy ; Le Concert de Famille, after Schalken. Both 
framed. (2) 


TRICOTEUSE HOLLANDOISE 
After Mieris; Repos de la Vierge, after Dietricy; Jeune 
Joueur d’Instrument, after Schalken. All framed. (3) 


GAZETTIERE HOLLANDOISE 
After Terburg; Portrait of an Old Woman, after Dow; Bonne 
Femme de Normandie, after P. A. Wille. All framed. (8) 


LE MENAGERE HOLLANDOISE 

After Dow; Le Petit Physicien, after Netscher; Petite Eco- 
liére, after Schenau; L’Observateur Distrait, after Mieris. 
All framed. (4) 


ZADORISTEIN 


(a) VENISE, 1911 

Original painter etching, printed in sepia, signed by the 
artist. One of 50 copies printed. | 

(b) FLORENCE, 1911 


Original painter etching, printed in sepia, signed by the ar- 
tist. Creased in the centre. One of 50 copies printed. (2) 


A. WILLETTE 


MODERN FRENCH PAINTER-LITHOGRAPHER 


ADDRESS OF A. BLAIZOT 

Original lithograph, one of 100 copies printed, signed, and 
numbered by the artist. Brilliant impression on Japan paper, 
with an impression with the letter printed on mounted India 


paper. 


LA MUSE DU DESSIN 
Original lithograph printed on mounted India paper. Bril- 
liant impression, with untrimmed margins, 


29 


222 


223 


224 


220 


226 


227 


228 


229 


230 


ANDERS ZORN 


ROSITA MAURI 

Original painter etching. Asplund, No. 34. Brilliant im- 
pression of the fourth state, before the lettering was erased 
and new work added to the background. 3 


MADAME SIMON 
Original etching. Asplund, No. 67. Fine impression on 
Holland paper. Framed. 


PORTRAIT OF VERLAINE 
Original etching. Asplund, No. 94. Fine impression on Hol- 
land paper. 


EMMA, A GIRL FROM MORA 
Original etching. Asplund, No. 117. Framed. 


SENATOR BILLY MASON 
Original etching. Asplund, No. 159. Fine impression on 
Arches paper. 


ANNA. PEASANT GIRL OF MORA 
Original etching. Asplund, No. 170. Fine impression on 
Holland paper. 


DAGMAR 
Original etching. Signed proof. Subsequent to Delteil, No. 
245. Gilt frame. 


SHALLOW 
Original etching. Asplund, No. 259. Signed artist’s proof. 
Beautiful impression. 


THE PILOT 
Original etching. Signed proof. Only state. Asplund, No. 
285. 


—. 


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